Monday, July 23, 2007

39 Weeks Pregnant Spotting Red Blood

start Biennale Art & forte

4 to 26 August 2007

ROSSORAME
will be present at the Biennale Art & forte
start with the opera 'Giovanna'

start Biennale Art & forte
SPAZIOEVENTI Mondadori
San Marco 1345 - Venice

Vernissage August 4
19.00

event by http://www.arteforte.it/

Title: Giovanna - Florence Teoresi Series (one original)

Year 2007

Technique: digital manipulation on forex 10 mm.

Dimensions: 100 x 120 cm.

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CRITIC WANTED


a serious and real exchange
visibility between artists and writers


not try an art critic, in truth we seek many.

Exactly twenty-three.

The figure was chosen by myself.

A critical collective.

A collective of critics.

Beyond the authority and ability (or not) of a professional critic, the true critic is the spectator, the observer of emotions induced by the one who observes and records the charm or disenchantment, taste or disgust.

The way that led us to the execution of works and the fact the moment of conception of art, no matter.

This blog will serve all of you who love to write , see, judge and above all writing.

Write reviews.

Spit sentences.

enhance or destroy.

power.

Two long lines or pages of interest.

Choose a picture on it and vent your disappointment or partecipategli your consideration.

Ask yourself questions and answers provided to you.

Sezionatelo with words or ricucitelo wire conceptual .

Carpitegli the hidden meanings of new or inventatene.

Feritelo dialectical weapons or trusteeship with your lively language.

improvised
not critical, be so serious.

Be one of the twenty-three critics.

Good or bad.

am writing to you to read.

And then signed with real names or false names, with citations or turns of phrase.

Your script will be published in our catalog and will use the name with which you signed, true or false (posting your thoughts given automatic acceptance to the eventual publication, which we will report on this blog).


And we thank you in advance.

we ever thank you enough?

ROSSORAME and Guido anchors

Log in, read the comments and WRITE YOUR TEXT CRITIC




.... it is ironic that an art project on art criticism, often prohibitive ...

Guido plugs and I would like to print our catalogs by entering their critical instinct of mere 'observers' and people who love to write, express their feelings about a painting or a style, opine, discuss.

Critical beautiful, ugly, for, negative cheering, nasty, stroncanti, beautiful, crazy, exciting, brutal, flattering, funny, disprezzanti, cheering, disgust, funny.

criticism on a single panel or the entire production of the artist ...

many critics exist and still do not know ...

as people who write better than the professional critics and ...

and they do it instinctively, by simple visual competence, expressing disgust or taste is not affected by academic or economic mechanisms.


The catalogs will be printed on paper and will create a printable PDF version from the site.
best writings will also be used for public readings and performances during the exhibitions of the artists.

23 authors chosen by the artist will be highlighted in the catalog, others will be included in a separate chapter.

E 'provided that they can be printed after several catalogs 23 authors with more emphasis.

All writings will be published unless an excessively vulgar or offensive.

It 'an opportunity to write, practice and have fun together, then who knows' ...

everything written, is then read and appreciated by someone ....!

Nor is it to say, but they tell me I must point out that nothing is to be paid, of course, and you do not get paid to write, of course ...

short, it's just a real and serious exchange of vision among artists and writers!

hoping to read!

ROSSORAME






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Project 1997/2009


Art and Solidarity - GALLERY VIA BROADBAND - Apr 2009 - Florence
X Salòn Internacional de Invierno - ESART GALLERY BARCELONA 17 - January 30, 2009 - Barcelona
cover and illustrations inside the book "The Arrow" of Andrew Light - 2009
Cover Book, "the girl's boyfriend" Andrew Light - 2008
OTTOMARZOSOLODONNE - M'ARTE GALLERY - 8 / March 22, 2008 - Pistoia
CONTEMPORARY MASTERS - GALLERY M'ARTE - Auction - 25feb/2mar 2008 - Pistoia
ART and Nonviolence border station - National Review - 27ott/11nov 2007 - Florence
ROMA2007 International Arts Festival - 23/30 October 2007 - Rome
ETHNICITY IV Edición, Feria de Arte Contemporáneo ELA Asbl - 21/31 October 2007 - Brussels
B + N = R? Event Multilanguage SanSalvi Open City - FI-ESTA - September 30, 2007 - Florence
CONFLICT & CONFLICT Festival Short and mmix - UnoCultura - September 16, 2007 - Florence
ARTECONTEMPORANEA City of Pistoia - 1 / 15 September 2007 - Pistoia
Art & forte start Venice Biennale - August 2007 Gallery
Anacapri (NA) Island of the Blue Gallery by Crispi in Rome - July 2007
Rotunda Gallery Nova Gorica - Slovenia
Transart 2006 Ljubljana - Slovenia 2006Galleria art Atelier of Artists - Gallery Marina Lepanto
2006 Trieste - Monfalcone Gorizia Palace of the Guelph
2005 - Florence 2005
L'Horloge du Sud-Eau de Clip - Video Art - Brussels 2005
Postart Gallery - ACEart -
ArtCard Milan 2005 - Project by Sharjah Art Museum - United Arab Emirates 2005
Action-Art - Landesverband Berlin - Video Art-Berlin 2004
Palio 2004-Il Fiorino - Sesto Fiorentino 2004
Stoz Gallery Berlin - Berlin 2004
Arteconsult Gallery - fotodigital - Panama City 2004
Artevariarte slv International Art Gallery - 2004 Florence D. Emme
Gallery - Florence 2004
LaborArt Gallery - Homage to Florence 2004
Telethon BNL-4 - Florence 2003
Conversatorio School Fine Arts - Santiago de Veraguas, Panama 2003
Assistant murals by Thomas S. - Panama City 2003
Citadel of Museums - National Comparisons show IV in Arts - Cagliari 2003
Cons.Reg.Toscana and LaborArt - Florence 2003
Pinacoteca Comunale - The smoke-cooked Ripe San Gines (MC) 2003
Knaipe - Florence 2003
Emperor's Castle - Prato (Florence) 2003
Art Exhibition - Arosio (Como) 2003
LaborArt Gallery - 2002
Florence Fortezza da Basso - Florence 2002
The Spizzico Artists - Florence 2001
Mugellini Theatre - Piacenza Potenza (MC) 2000
Independent Magazine 'The Edge of the Circle' 1999 Art Gallery
Cavoleto (PS) 1998 Art Gallery
Treia (MC) 1997
Ripe Art Gallery of San Gines (MC) 1997
Omaggio a Emilio Villa - Cattani Accademia Gallery in Bologna 1997
Performance & Poetry - Parterre - Florence 1997
Performance & Poetry - Pongo - Florence 1997






Over 30 Hunks In Speedos

Series 2007 Teoresi

Italian - Inglese - Español

The new series 'Teoresi 2007' is divided in different groups of works, whose common denominator is the journey, be it real or inner understood as either assimilation of memory, the production of memory and anticipation of prospective memory.



In an area completely absent, so empty as to distort or rather 'fake' perspectives and positions, the protagonists of Teoresi floating light.




seem to gloss over their thoughts, with your arms straight but not surrendered, and comfortable accommodation, as unsuspecting actors in a dream.



Corps essential and vulnerable, they defend the individual nudity 'inlaid immortal works of art, tattooed on the skin as indelible memories of the trip and experience.





Wonder immobility ', carp with an inquisitive frame, does not stop the onward flight to the next and no infinite of gravity 'and' intangible metaphor of itself. (G.agostini)



Figure
flying face their own journeys in this new series, looking away unseen horizons.

Suspended in an apparently static ', are focused on the same flight and direction, at times lighthearted, at times worried.



wrappers or no copies of human beings but rather 'perfect men and women, dressed and purified from human imperfections and clothes only geo-cultural references and monumental works of art, become popular in places of new places of departure and stampatesi involuntarily on the skin.


With the soul well hidden inside, explore, chase, and sometimes you will seek. (M.morandi)



The new series 'Teoresi' is Articulated in different groups of works - their common denominator is the Journey Either Literally or internally, understood as assimilation Also of memory, production of memory and prospective anticipation of memory.
In a completely absent space, so empty that it falsifies the perspectives and the positions, the protagonists of Teoresi float lightly.
Indeed, they seem to fly above their own thoughts, with extended arms but not surrendered, perplexed and receptive, like unaware actors of a idea.

They all possess a name that concretizes them, a name that lifts and identifies them within the community, exactly like the simple and extraordinary people.
Essential and vulnerable bodies, they defend their individual nudities with immortal works of art, tattooed on the skin as indelible memoirs of journey and experience.

The amazement of immobility, caught through unintrusive footage, doesn't stop the continuation of the flight toward the subsequent infinity.

The 'absence of gravity' is an impalpable metaphor for itself.
In this new series, flying figures face their own journeys, looking at distant, invisible horizons. Suspended in an apparent stillness, they concentrate instead on the flight itself and on the direction, at times carefree, at times worried.

Neither containers nor copies of human beings, they are, on the contrary, perfect men and women, smooth and Imperfections of human purified and dressed only in monumental works of art, loved at the destinations Which Have Become new places of departure, They Have Themselves unintentionally imprinted on the skin.
With well hidden inside the soul, They explore, They Pursue Each Other, They look for Each Other and at times They will find Each Other. ***********************

The new series 'Teoresi' is divided into different groups of works, whose common denominator is the Journey , be it real or interior, alternatively understood as assimilation of memory, memory and advance production of memory perspective.
In a space completely absent, so empty of 'fake' perspectives and positions, the protagonists of mild float Teoresi seem to fly on their own thoughts, his arms extended but not rendered, perplexed and responsive, as ignorant actors in a dream.
They have all the specific name, a name that identifies increases in the community, just as the simple and extraordinary. Bodies
essential and vulnerable, they defend individual immortal nakedness inlaid artwork, tattooed on the skin as indelible memories and experience travel.
The amazement of immobility, with an indiscreet coaxed frame, not the continuation of flight the following infinite and the absence of gravity is impalpable metaphor itself. (G.agostini)
Figures flyers face the same trip, in this new series, looking far the invisible horizon.
Suspended in an apparent stillness, they are focused instead on the same flight and on the direction, sometimes happy, sometimes troubled.
No envelopes or copies of human beings but men and women perfect, smooth and only cleared by the human imperfections and dressed in monumental works of art, beloved in places of arrival become new points of departure and printed the unwittingly on the skin.
With the soul well hidden inside, explore, follow, and sometimes seek if encontraran. (M.morandi)

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Biography


BIOGRAPHY

Italian - Inglese - Español

ROSSORAME A. Pagliarello was born in Nicholasville, near Turin, but from the age 'ten years living and working in Florence.
In the new series 'Teoresi', the work marked on the digital manipulation, are the evolutionary product of careful research, carried out in previous years, with photographic processing.
For example, compared to the images of 'mechanical eye' or 'Visiones de viaje, with Latin music alegre en el aire, a manana de verano en ', the conceptual' contained in the new works, and 'always evident, but less bulky, there is a formulation more' subtle questions and answers.
Gia 'in two very short clips of video art made in 2004' Eolo vague 'and' Eolo wanders ', although he addressed the emotional in a direct way, almost violent, can not escape the powerful positivity' of the message of both.
The artist certainly did not forget the first tool of expression in painting, always preferring the abstract informal, sometimes combined with a personal interpretation of visual poetry, self-defined vertical poetry, using words or texts of his own composition nude teen.
Even on the canvas, the works of ROSSORAME are proudly grown and, since the 'Transparency of the cat' one perceives a gradual release of gestures 'material and the colors are more' lively markedly, with assistance and mergers between different disciplines, affectionately mix between them.
.
.
ROSSORAME (Redcopper) is A. Pagliarello.
She Was Born in Nicholasville, near the city of Turin, But Has Been living in Florence since the age of ten Where She now works.
In the new series 'Teoresi', to works based on digital manipulation, is the cumulative result of Detailed Research Carried out in recent years by means of photographic elaborations.
For instance, compared to the images of 'Mechanical Eye' or the 'Visions of journey, with cheerful Latin music in the air, on an early summer’s morning`, the concepts contained in the new works are always evident but less massive; a lighter formulation of the questions and answers can be sensed.
Already in the two very short clips of video art realized so far in 2004, 'Eolo vague' and 'Eolo wanders', despite the fact that she has faced the subject of emotions in a very direct, almost violent, way, the powerful positiveness of the message of both is evident.
The artist clearly does not forget the first means of expression which is painting, always giving preference to the informally abstract, sometimes linked to a personal interpretation of visual poetry, defined by the artist as 'vertical poetry', using naked words or texts composed during adolescence.
Rossorame’s works are proudly cultivated also on the canvas.
Since the times of 'Transparency of the feline' there has been a progressive unblocking of style and the colors are more noticeably vivacious, with interventions and fusions among the different disciplines, lovely amalgamated between them.
.
.
Rossorame (Rojocobre) es A.Pagliarello.
born in Nicholasville, near the city of Turin, but from the age of ten years living and working in Florence.
In the new series 'Teoresi' works are characterized by digital manipulation and are the evolutionary product of a painstaking search, conducted in previous years, working with photographs.
For example, with respect to images of "mechanical eye" or "Visions of travel, with lively Latin music in the air, on one morning of summer ', the conceptual content in the new works are always evident but less embarrassing, is perceived more subtle formulation of the questions and answers.
Already in the two short clips of video art made so far, 'Eolo vague "and" Eolo wanders' of 2004, however, has faced the emotional issue directly, almost violent, you can not avoid the powerful positive the message of both.
The artist does not forget the first instrument of expression in painting, always preferring the informal abstract style, sometimes coupled with a personal interpretation of visual poetry as defined by the artist as 'vertical poetry', using his own compositions.
also on fabrics, works of Rossorame are proudly cultivated and, since the time of "Transparency of the cat 'is a progressive unblocking of the gestures and the colors are more vivid markedly, with interventions and mergers between different disciplines, amalgamated them affectionately.
(Special thanks to Soldimar for translation)
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